Written and directed by: M Night Shyamalan
Something quickly charmed me about The Visit. The film is told from the perspective of two kids visiting their grandparents for the first time: “rapper” Tyler (Ed Oxenbould) and “filmmaker” Becca (Olivia DeJong). The Visit is supposedly Becca’s documentary, a point regularly alluded to, as she lectures Tyler on her art. There is something that’s just-right about Becca’s filmmaker identity. She is too amateur for the film to be read as a clichéd homage to “the artist,” yet she knows too much of what she’s talking about for her documentary to be dismissed as a joke. One thing to take from this is that she has a very specific and thus believable identity. Another, is that as a gifted, but still vulnerable amateur documentarian, her presence adds to the film’s affect: it feels as if she is masterfully documenting her own doom.
The Visit starts with an intriguing if somewhat unlikely premise: these kids have never seen their grandparents, due to a dispute between the grandparents and the mom. For a while, it seems Shyamalan has created a uniquely realistic horror film. His protagonists find themselves in an unusual situation and they’re creeped out by it: that’s all there is too it. Becca’s grandmother may ask her to crawl all the way into the oven, but this only bears aesthetic resemblance to Hansel and Gretel, it is not actually a fatal act.
Great as the premise I described sounds, it’s hard to imagine where it could be taken: how can you end a movie that’s ultimately anti-climatic. So Shyamalan ultimately does make his a horror film. The horror-moment is set up subtlely, though its odd how late in the film the setup is put in place.
Unfortunately, Shyamalan’s non-commitment keeps this film from being as strong in its narrative as it is in its aesthetic. It never builds up its horror quite enough to be scary, while also not finding a bold way to work from start-to-finish with its early realist-not-actually-horror approach. The Visit is nonetheless a strong enough film that it can be enjoyed along with Shyamalan’s other acclaimed works, as part of a strong aesthetic portfolio. If you’re interested in getting to know him as a director or if you simply want to try a less-intense horror flick, it’s absolutely worth the watch.