Written and directed by: Andrew Bujalski
In one sentence Support the Girls is a story about a Hooters (known as “Double Whammies” in this story) told in the absence of the male gaze (not literally given who the writer/director is). This premise alone is enough to make it an interesting work. The film’s protagonist is restaurant manager Lisa Conroy (Regina Hall) and much of the movie follows her adventures: handling a break in, supervising a servers’ kid (Jermaine Le Gray) and dealing with the restaurant’s abrasive owner (James Le Gros).
One of the film’s strengths is its cathartic performance of empathy. Given the film’s setting: a niche place in the service industry aimed at profiting off of male lust, one might expect Double Whammies to treat its staff horribly. Lisa, however, “supports the girls” as most evidenced when she insists a customer leave after he makes a “joke” about one of the servers being fat. As fans of the character Juan from Moonlight or Gabo in A Fantastic Woman well know, a well placed empathetic line, underlined by unstated social commentary, can really make a scene or even a movie.
On the flip side, Lisa’s empathy is inevitably limited by her circumstances, and perhaps by her sense of duty, as someone in a management role. She is involved in two firings over the course of the film, and while she handles these about as well as she can, this shows the limits of making a manager your hero. This is not to say that all movies should be tailored to have the perfect ideological message, but rather to get at a more apolitical criticism I have with the film.
Perhaps this is not a problem if you go into Support the Girls without expectations. In my case, however, the film’s premise led me to expect a film with the intensity of a low-end comedy, made better through being more principled and being more politically self-aware. I was disappointed however, to find that despite all its chaos, the first ½ to 2/3 of Support the Girls somehow comes across as understated. This is why I think it’s a shame that Lisa’s empathy wasn’t even more radical. A scene in which a manager offers a reference letter to a flawed employee is just a scene. A scene in which a manager actually comes up with a way to keep an even more flawed employee on staff, by contrast, would substantially liven up the film and its supposedly chaotic universe.
Support the Girls ultimately embraces its chaotic potential in it’s final third. And while it’s final two scenes are not as chaotic, they nonetheless complete the film in a satisfying way. I can’t say too much about it, but it gets at how the Hooters/Double Whammies industry really is a universe of its own.
Support the Girls tells stories about characters that might otherwise not be told, and might certainly not otherwise be told in as respectful a light. Are there ways it could have been more radical? Yes. By centreing its story around a manager it maintains a distance from Double Whammies actual workers. Of course, this approach has its benefits (particularly in the penultimate scene). Still, I can’t help but wonder what the film could have been like if it embraced its zany potential.